jennifer and david have joined forces for a project which will bring the dance floor walls crumbling down!

limited 2014 repress !! 1st time available since two years - vinyl only release - no digital bullshit !!!!
thomas melchiors beautiful apariciones ep has been reworked by two iconic pioneers of electronic music, baby ford and ricardo villalobos. this is the first time ever melchiors solo material has been remixed, both baby ford and ricardo villalobos respect this by producing two beautiful gems that show the unique characteristic sound of each artist. baby ford takes on cinza de fenix creating a lovely deep and funky adventure that will lighten up any dance floor. ricardos remix of todo mundo jacks things up and strips things down taking us on a dark trippy hypnotizing journey, pure villalobos magic !

dmom welcomes french talent flex for his debut with a massive big-room-track. the knocking kick introduces some fine tuned and arranged techno in a really classic sense and has the ability to become one of those secret weapons everybodys talking about when hearing it on some set. on top of this kyle geiger delivered a remix showing the technotic side of his soul after his recent more melodic appearance on cocoon s recent compialtion, as used to from him with a superb sounddesign and kind of remdinding on his previous works some time ago on drumcode. finally southeast-european techno-ambassador vegim appears to slow it down a bit, taking it to the groovy edge.

with a discography that includes releases on night vision, be as one imprint, applied rhythmic technology (art) and francois ks wave music, roberto bosco commands a certain level of respect. here bosco surfaces on balance with introspective, a project that engages more explicitly with the styles and signifiers of tech house than the italians previous work.

2 tracks of island-inflected chicago house from chicago based producer inspired by his visit to antigua, guatemala. frankfurts d. soul takes 1 into synth space, gonzo gonzo slows it down adding market sounds with lighter synth lines.

the cellar boyz *pay me* is taken from ben cenacs timeless cozmic house ep on thug records. pay me which was recorded in 1986 is the only track from the cozmic house e.p that had available parts. the stems for deeper & deeper, seems to me & who loves you were never recorded. this was due to the fact that all of bens projects through out the 90s were tracked midi only at mix down, with only the vocals being recorded to tape! thug would never have had the opportunity to release ben cenacs cozmic house 12 inch if it had not been for simoncino. simoncino did all the a&r for the record. a gift not only for thug but any fans of ben cenacs amazing productions. with that in mind, simoncino has provided 2 remixed versions of pay me, alongside a remix from close friend nicholas!

irishman john daly takes a rare break from his one track label and delivers his magic to the tanstaafl planets imprint. floating house and spacey techno on the b-side that seamlessly merge daly and tanstaafls aesthetics, while the a-side delivers a pulse raising new fusion of jacking swing and dubby synths. john daly cant do much wrong!

it is soul time down at the cassette library! produced by bob bhamra. additional production on *clavichords* by the early learning centre. mastered by sam john, precise mastering. manufactured by agr manufacturing.

cheating ep is the first record to be released by low budget family, an independent moscow-based record label run by the crew behind the legendary shop&bar denis simachev formation. cheating track is a heads down workout, a no nonsense, broad bottomed, synth riffing number with an irresistible old-school rave sensibility. on the flip cheating song strips things back, adds some space and a vox delivery and production style reminiscent of azari & iii. a bold and ballsy debut from this russian collective.

includes full 14 track cd album !!

after two strong releases on electronical reeds, the brussels based artist exon bacon inaugurates play label records with his latest ep, watching dogs. play label records is the extension of the collective play label that has become a key player in the music scene of brussels with more than hundreds of events to its credit. this first release sets up the artistic direction of this label that seeks to develop a real dancefloor approach and a strong party spirit.

british label innercity records made a flying start to life last year, with their v/a releases going down a treat with a slew of the scenes prime movers and shakers. for their latest release, the manchester based label does much the same again, as they compound their auspicious start to life courtesy of a four-tracker thats dripping in refined house-music textures.

the nixwax white label series continues our commitment to global warming by releasing limited slices of petrochemicals imprinted with noise. the a-side takes no nonsense and gets straight down to business with a catchy vocal hook and a powerful bassline that demonstrates nisse nilsons ability to fill a dancefloor and keep the punters hungry. on the flip-side, ojsmooth filters the elements of the track to their most arresting while keeping the warmth of the bassline front and centre. classic ojsmooth: all juice, no bits.

weve complied two blackman and maurice joshua productions for the fourth house of trax 12inch. its a bit of a dirty one... to say the least. althought more polictically incorrect then a dutch politician, these humourous trax will set fire to the speakers for the right reasons too. the little known blackman had a 1993 release with >beat that bitch with a bat<, a song which later got popularized by johnny dangerous. the original 12inch got pressed up in small quantities and is available for the first time in 17 years. on the flip theres both the vocal and instrumental version of maurice joshuas (with hot hula hands) >i got a big dick<, which originally came out in 1988, as the a-side of his more known >this is acid<. both tracks are pretty rare these days and will still go down a storm on the dancefloor.

having started the year in strong fashion, fighting *the clone wars* on his own rekids imprint in january before following that with the rødhåd-remixed *repeat myself* on work them, matt edwards aka radio slave continues his 2014 ascension with his nonplus+ debut *dont stop no sleep*. another pared-down techno workout, *dont stop no sleep* is a classic radio slave roller imbued with the tougher edge of his earlier techno productions such as grindhouse and screaming hands, retaining the hallmarks of his most influential work whilst updating it with his now trademark energetic house style.

this record tells the story of a detroit groove from the perspective of the speaker, taking you through time from luomo s to the hardware syst3m parties, and the first leaky warehouse roof no way back where dean syst3m worked the door, with all the disrespectful nature one would naturally expect from a true detroit groove. created by two veterans of detroit grooves, bmg & derek plaslaiko, who now calls berlin home, in bmgs studio in the center of detroit. this song celebrates some of the out there characters and crazy cowboy outlaws that made this detroit scene happen on the underground level, that made such an impact that is still felt around the world today.

more upfront bass excursions from this cool helsinki label... by bristols praised kowton, the shocking young finnish talent that is las, as well as illustrious and productive label heads desto & twwth.

that dope loop pinning down sascha dive as cocoons deephouse wunderkind wouldnt really hit the nail on the head however it isnt far from truth. compared to most other artists of this genre he can for sure be classified as a young gun but there is no soundproof for his age in his music at all.

nice price deal !!! -someday world- enthält neun songs, gemeinsam komponiert und eingesungen von eno und hyde, mit einer beeindruckenden liste von gastmusikern und -vokalisten wie tessa angus, nell catchpole, marianna champion, will champion, kasia daszykowska, don e., darla

limitierte ausgabe inklusive kunstdruck.
-someday world- enthält neun songs, gemeinsam komponiert und eingesungen von eno und hyde, mit einer beeindruckenden liste von gastmusikern und -vokalisten wie tessa angus, nell catchpole, marianna champion, will champion, kasia daszykowska, don e., darla eno, georgia gibson, andy mackay, john reynolds, fred gibson und chris vatalaro. das album wurde von brian eno mit dem erst 20-jährigen fred gibson produziert, und führt die schon länger währende musikalische kooperation zwischen karl und brian fort, die 2009 mit dem -pure scenius- projekt begann, an dem auch leo abrahams, jon hopkins und die australischen the necks teilnahmen, und nun in dem ersten gemeinsamen album überhaupt kumuliert. -someday world- erscheint als 2x12 inch lp im klappcover mit downloadcode. ps: brian enos letztes solioalbum -lux- wurde 2013 für den grammy nominiert.

over the course of four eps for numbers and creation of his own label ‘total fantasy’, deadboy has charted his own path far beyond the deep black space of mediocrity with previous records ‘if u want me’, ‘here’ & ‘blaquewerk’. on ‘return’ deadboy journeys further into uncharted territories, taking his music to the darkest recesses of disco and extraterrestrial synth-werk. the opening track ‘return’ finds the london-based producer taking cues from the likes of tangerine dream and klaus schulze with a gentle ambient opener that unwraps to reveal a beautiful and moving track. ‘des niles’ is a shimmering disco track built around an 80s boogie bassline, plus those killer deadboy vocal chop-ups that take us even deeper into the producers nighttime world. samples are worked to within an inch of their life on the floor-ready ‘yhvh’, whilst punchy bass and synth stabs take care of the rest. things then move swiftly on to ‘life code’, with the deadboy once again notching the tempo down and letting the track’s wistful oriental melodies ride out into the dark.

comprised of eight tracks, periscope blues is the culmination of a mission gone wrong. music for the stranded, the lost, those backed into a corner with nowhere to go, or maybe a reflection of sad individuals panicking on a tropical vacation gone awry. somber yet very tense drifting off radar machine electronics that feel like a blistering sun beating down on decaying beach remains as time crawls on. that or the equivalent to working the grill summers at jones beach and stealing from the register just to get a little more…
pressing on grey coloured vinyl.

sometimes it is best to let the music do the talking, this is one of those occasions. local talks 46th release comes from exciting debutant sameed. little did we know about sameed before we got the four tracks for this 12 inch, for all we know it could be your neighbour. quick-firing the release is spend, functional as a set highlight with its dubby chords, vocal snippets and a wonky bassline. included on the b-side is a dub that will work perfect as a dj tool for those who want to go a little bit deeper. showcasing sameeds sense for keeping things stripped down and sweaty, still is a dirty exercise in acid witchcraft while getyoself can best be described as a delicately raw rhythm with dark textures.

the legendary tony rohr graces phobiq with his presence and offers two tracks alongside his new partner-in-crime layton giordani. the ep starts out with the sparse arrangement of -careless suggestions-, driven by a locomotive bassline and grinding rhythm section. moody stabs reinforce the bleak vibe, and the vocals coming at us from otherworldly black holes only add to the mood. label boss sasha carassi steps up for the remix in his trademarked stomping style, making use of hypnotic elements and the busy claps from the original. industrial-sounding hi-hat action drives his interpretation all the way home, after an apocalyptic breakdown, of course. on -reggae shiz- things are more stripped-down with bare drums holding everything together, as the rest of the arsenal slowly builds around menacing chords and a rocksteady groove. behind the spotlight, liquid bass comes together with quirky percussion to complete this almost-10-minute-long opus. dema maintains a sublime, shadowy mood in his version but opts for busier hats and heavier usage of chords.

play it say it is a hot new label brought to you courtesy of seth troxler, and the first release is a one-side monster of a track by sharam (deep dish) and featuring manfred manns earth band. hot on the heels of deep dishs recently released club hit quincy, sharam releases tripi, a rib-rattling, earth-shaker destined to cause maximum dance floor pandemonium. an incessant dirty as hell synth line underpins the colossal driving force of this beast as the rhythm breaks down to the unearthly enchanting keyboard break courtesy of manfred manns earth band. tripi was endemic throughout wmc and expect to hear it everywhere this summer. already getting heavy support, tripi is destined for big things. seth has kicked off his new label in style. expect more floor fillers in this vain from other luminaires on play it say it this summer. and remember, when you play it, say it!

the first of a string of new releases from robert solheim in 2014. a dubbed out progressive house track aimed for the late night club floor, a lovely deep-house remix from carlo (neovinyl / good ratio) and a funky stripped down tech-house remix from norways end & below (small records / aquavit records).

the remastered 2014 edition of the iconic 1995 album by ac/dc.

strictly ltd to 100 copies! introducing charmin records. a new vinyl only label out of east germany started by long time dj and producer florist. the vision of the label is to release quality, underground house and techno by friends and fellow music evangelists on vinyl. the first release teams up producers tilman and florist for their first collaboration together and the result is a well rounded collections of quality house music focussed on the dancefloor. the ep kicks off with >sunday roll< which is a deep, laid back excursion into >proper< house music. the track is underpinned by solid percussion with easy rhodes and piano chords weaving in and out of distant vocal samples. the emphasis here is on warmth and soul. >blind< is a more heads down affair, with energetic drum patterns and a lovely, well rounded bass that bumps its way through the track. >i cant stop< takes us into more stripped down territory, with a rough edge to it. finally >deep reflection< pairs up dreamy, reverb washed chords with a heavy, unrelenting rhythm section. with this ep charmin records look to lay out their stall and show the public what is to come from this exciting new label.

the godzilla kebab label was started in 2012 by sames, is based in saint-petersburg, russia and now serves up its 6th ep, a four track affair that calls on various artists from across the world. quintessentials associate andy ash, label boss sames, sam williams (aka chamboché) and sam halsall (elevator) come together as ampers& and finally replika are the names who turn in one tune each with the results making for fresh house listening. bad cat is the first jam and it comes from sames.
big with: laurent garnier, the revenge, red d, jef k, ian pooley, ugly drums, ...

special backorders - both dj spider & brendon moeller have been sculpting their craft over the years and show no signs of ever slowing down. each artist presents an original track and then a remix from each other. this split vinyl ep is the first of several to be released on spiders sublevel sounds label.

dj clent - the low end legend - has been known for his music since the days of dance mania, releasing tracks such as *bounce* and *back up off me* which are juke classics. he also released the grimy call to arms footwork track *3rd wurle*, as well as tracks on both bangs & works compilations.

running back proudly presents: redshape’s bonuz beatz vol. 1. revisited, reduced and refined beat down versions of some of the masked mans greatest hitz. breakbeats, toms and open hi hats a plenty with more bounce to the ounce. not only for dj use

galdoors co-boss tames steps into the arena. vivid elements astral acid and machine gun snares rearrange your mind while the pads take you h-i-g-h-e-r. on the b, episodes drops it down and rides through with weighty organs, ratcheting rimshots and much more. squeeze wigs it out: acid, crisp kick and hi-hat chatter bubbling over to madness, bringing proceedings to a close. heavy support from king of uk ben ufo among others.

while ipoly music is focussed to enrich the dancefloors with special music contents, our new release line ipoly mate steps out of the club and connects real songs with tech house elements in a novel sense. rookie gabriel vitel starts off and makes his debut with two desired pieces from the all-around impacting alec troniq & gabriel vitel liveact

it has been a while since jaxson & david keno have been on keno records but it was worth the wait. calippo is an absolute banger. driven by this oldschool deep bassline climaxing in a breakdown filled with detroit strings this track already rocked many dancefloors all over the world. oliver schories takes it down a notch, gets rid of the strings and takes it into a more melancholic direction but still very danceable. the remix from adrian martin pushes calippo even a bit more in the tech house direction.

mono is back with a 4 tracker by leão aka robot needs oil who brings some classic house tunes to your ears. enjoy! early support from: nick curly, bunte bummler, chicks luv us, medeew, steffen deux, jan golly, toby t, andre lemont...

jaime lhas read follows up last years push 2 shove with 3 brand new tracks for another great release. if it takes all night is a get down and boogie journey of melodies and groove. toot sweet is a workout on 80s drums and b boy bass. self inflicted ends the ep with some serious live synth action to drift away on music with love in jaimes 20th year of releasing music

back for more so soon? yeah! baby is back! wilson records has fabio unleashing house legend gene hunt and not so newbie chiwax and lobster theremin veteran, stevie murphy for the fourth edition of the not a trilogy anymore split grooves series. its the perfect mix to brew an appetite for some dance floor destruction. we have mr. gene hunt taking on the a side with his twisted tracks get down and s and s. over to the b side, our cherished friend, steve murphys groove is anything but relaxed! crank up the volume and dont expect to stay glued to your seat. this one is special. no surprise when its laid out on a 180 gram vinyl. for the lovers!

after a decade of club singles spanning bassline house, garage, grime and more, dj q releases his debut album. although he has been releasing club tracks since the start of the 00s, dj q had his breakthrough moment in 2008 with *u wot*, one of the biggest tracks to come out of the uks bassline house / niche explosion. the years since have seen him hold down residencies on bbc radio 1xtra and ministry of sound radio, while releasing on butterz, unknown to the unknown and local action.

following on from his 2012 autoreply debut the model steps up again with a precise, deadly-effective two tracker. as a producer he can never be pigeon-holed serving up his mysterious blends of deep, robotic, space- funk across labels like traum schallplatten, crosstown rebels and his own clone powered adult central imprint. night times the right time finds the romanian in fine-form laying down punchy drums with pulsating-bass, persistent chords and analog synth tension. flip the disc for wolf and you get a darker, dub-driven take over the same infectious, floor-shaking beats. long tracks, mastered to perfection and playable to the max - check it.

beck is back! his new album *morning phase* on 180 gram vinyl

after an incredible year that saw him reinvigorate pacha with his clever solumun + 1 concept, hold down a second great residency at sankeys ibiza and tour down under as well as hold label showcases around europe, diynamic boss solomun is back with a fantastic new two track ep, samson.

volume 6 der about berlin serie auf limitiertem 4-fach 140 gramm vinyl, inklusive download-gutschein.

*jamaica selects jump blues strictly for you - jamaican sound system classics 1944-1960* ist der nachfolger zur erstklassigen *jumpin the shuffle blues* compilation auf fantastic voyage. das doppel-vinyl ist auf 500 exemplare limitiert.

quarion ist zurück mit einem großartigem release. dieser mann bedarf unter kennern wohl keiner einleitung mehr, als macher des exzellenten retreat vinyl-only-labels liefert er seit über 10 jahren überwältigende musik. er verdient mehr als respekt für seine kompromisslose art!

glenviews first release from chicagos glenn underground is a 3 track deep house stunner. smoke is a lush, melodic instrumental track that is both uplifting and hypnotizing. smoke bonus beats is a stripped down rhythm track and the soft drink is a smooth, feel good house groover.

although delivering a mysterious & scantily clad 12 inch is hardly a novel concept these days, we must confess to being more than a little excited when we heard this one! it is undercover time again, and we’re sworn to secrecy, of course… what we do know, however is that this mighty release is an absolute dancefloor sureshot! made up of two long, pitched down and utterly mesmerising workouts kicking off with itaque putant, a mid-tempo, tripped out disco number that marries elements of techno, late 80s balearia and more than a nod towards classic red zone dubs. super low subs and bags of melodic atmosphere conspire to provide a perfect dancing under the stars moment. on the flip timento is a lysergic, tribalistic epic, stitching together a series of ethnic ingredients and overlaying some seriously transcendent modern synth candy. building into the soundtrack for a full blown shamanic vision! a serious platter then, and when the music is this good, who needs more?

chaos in the cbd drop down on hot haus recs in effekt with 2 outsider house bangers backed with a legowelt remix. having released records on clek clek boom to much fanfare the new zealand brothers have honed a more analogue houz sound for their hot haus 12 keeping with unknown to the unknown spirit of “offf the wall bangers .. this ones been on heavy rotation with all your favourite jocks!

das album aus dem jahre 1983 wurde im originalcoverartwork neu aufgelegt! der longplayer wurde im channel one studio mit den roots radics und den bläsersatz von nambo robinson (posaune), dean fraser (saxophon), dave madden (trompete) eingespielt. der finale mix erfolgte in den channel one und joe gibbs studios mit hilfe der toningenieure errol thompson, scientist und soldgie hamilton. als produzent fungierten die wailing souls selbst: winston pipe matthews / lloyd bread mcdonald / george buddy haye / rudolph garth dennis.